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the philosophy of j.j. abrams the philosophy of popular culture from the university press of kentucky american auteur jeffrey jacob j. j. abramss genius for creating densely plotted scripts has won him broad commercial and critical success in tv shows such as felicity 1998 2002 emmy nominated alias 2001
Object Entanglements From Postmodern Subjectivity To ...
joss whedons dollhouse 2009 2010 positions subjectivity in 2 studies in popular culture 38.2. object entanglements us toward an object oriented philosophy which embraces the broad scope of hybridity that posthumanism presents and decenters the
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susanne e. foster in the philosophy of joss whedon eds. dean a. kowalski and s. evan kreider lexington university of kentucky press 2011 pp. 168 181. new york city is a marvelous machine mad men and the power of social convention in mad
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the original idea for the course was to develop a popular culture philosophy course that would attract students from all over campus which was meant to both introduce them to multiple philosophical ideas and theories and hopefully convince some of them to major or minor in philosophy. the course was quite successful at drawing whedon fans
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culture special topics in philosophy philosophy and film seminar catholic social teaching and contemporary political philosophy thinking philosophically with buffy the vampire slayer philosophy as spiritual exercise conceiving the self the art and thought of film and other courses as needed.
