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Creative License Duke University Press
creative license the law and culture of digital sampling kembrew mcleod peter dicola with jenny toomey and kristin thomson the fact that a seemingly simplistic artistic notionof collecting meshing and arranging previously recorded soundswould eventually result in a sharp and comprehensive book creative license and
Music En Tertainment Law Syllabus
mcleod dieola creative license the law and culture of digital sampling duke university press 2011. knopper appetite for self destruction the spectacular crash of the recording industry in the digital age free press 2009.
A Reverse Liability Rule For Copyright In Digital Samples
industry s system for licensing digital samples suffers from many barriers and inefficiencies. in our forthcoming book creative license the law and culture of digital sampling kembrew mcleod and i describe these problems and evaluate a number of public and private reforms to the sample clearance system.
Law Allow Qut
ment is available under a creative commons license or other specied license then refer and trademark law deals with the free culture practices of digital sampling and culture jamming. it considers the recent us case on digital sampling bridgeport music law permits a degree of culture jamming by way of trade mark parody yet
How Copyright Law May Affect Pop Music Without Our Knowing It
4 for discussions of digital sampling see generally joanna teresa demers steal this music how intellectual property law affects musical creativity 71 110 2006 kembrew mcleod peter dicola creative license the law and culture of digital sampling 2011. 5 bridgeport music inc. v. dimension films 410 f.3d 792 6th cir. 2005.
Menell Comments Music Licensing Study Docket No. 2014 ...
creative license the law and culture of digital sampling 2011. furthermore just as consumers have the option of obtaining copyrighted works outside of legitimate channels in the internet age they also have the ability to produce and distribute mash ups. consequently much of the mash up culture flourishes through unauthorized channels.
Introduction
works including mash ups remixes and those works incorporating digital samples must 1 green paper at 38 citing kembrew mccloed peter dicola creative license the law and culture of digital sampling 2011.
Texts And Technology Of Creativity
creative license the law and culture of digital sampling. durham nc duke. 2011. required materials and resources dropbox access prezi access attendance policy students may miss no more than 10 of the scheduled class meetings. this means that if you miss more than five class meetings you can fail the course.